Liquefied magic land happy time beauty. All wrapped up into a bundle of pure joy that lasts for about eight and a half minutes. And this is just the sampler. A new tape from Seattle's Secret Colors is out now on Bridgetown, and this little preview promises more effervescent, bouyant mixes of effects-laden guitars, synths and found-sounds, meticulously mapped out into relaxing journeys you can drift right along with. And oh, if only all of life's little journeys looked and sounded like this... How I wish I parasailed my way through the days, or hopped a rail-slide on the way to work, especially whilst tripping heavily on acid. Even something as simple as a stroll down the sidewalk is just so much cooler through Secret Colors' warped and whimsical lens. Ah well, at least this gets us close.

Matt Lawson is the name of the dude who does this stuff, music and visuals. Last year, he quietly released "Confusion Control," one of 2011's most heinously overlooked records via one of the world's most heinously overlooked labels, Debacle. I guess that's neither here nor there at this juncture, now is it? The point is, Secret Colors has more. And we rejoice.

This Videodrone brought to you by Crawf

Thursday, May 17th, 2012 | Add New Comment (0)

Let’s get down to brass tacks: like Rodney Dangerfield, I’m a lover, not a fighter. As for cinema, I’m more apt to watch the self-deprecating humor of Woody Allen compared to a horror/gory film. Despite the aforementioned, I continue to return to Avorio, by Cannibal Movie, hungry for more—pardon the pun. Cannibal Movie is the organ and drums duo comprised of Donato Epiro and Gaspare Sammartano. The sound can be characterized as a type of psychedelia, infused with organ and hypnotic, tribal drums. Initially released as a cassette, Avorio was recently re-issued on vinyl by Sound of Cobra Records and Avorio Dischi. Though I am uncertain as to the strength of the correlation between the music and the sub-genre of films—Cannibal films were made popular in the 1970’s and 80’s by Italian filmmakers—there is definitely an association, and the following video should provide a little background.

The video for “Mangiati Vivi,” the last track on side A of the vinyl, depicts denizens of the rainforest in pursuit of invaders. Subsequently, a ritual is performed prior to a feast of foes. The video comes alive with tortuous organ tones and tribal drumming. In the beginning, an eerie organ and some cymbals accompany video of rainforest denizens killing their prey while helicopters circle from above. Next, tribal percussion and organ tones inculcated with effects accompany the pursuit through the rainforest, rituals, and cannibalism. This track moves in several directions, which is emphasized by the almost celebratory sound that is aligned with scenes of dancing and severed heads. As the track ends, the music and video depict the ineluctable outcome: helicopters circle assiduously and the flesh of an invader provides satisfaction for the natives. One thing is for sure, it’s sagacious to treat others with kindness and respect.
 

This Videodrone brought to you by the Honest Bag. A fairly new addition to the TOME's illustrious blogroll, this dude (simply known as the "Honest Bagger") is just about the friendliest smokehound around, and he's got some damn find tastes when it comes to weirdo art and culture as well. His work on the Honest Bag blog is an exciting development in the way of the 'sphere's coverage of experimental/outsider music, mostly because the Honest Bag exists so freaking far outside of the sphere. Seriously up on some of the craziest, most awesome sounds around by way of cassette and vinyl, the Honest Bag promises to be a consistent go-to for a fresh voice on a scene that hasn't even had time to become "fresh" yet. And what's even fresher than all this freshness? Certainly the buds in the pics that accompany his reviews. So have a visit to the Bag every day and then pass that shit, man.

Tuesday, May 8th, 2012 | Add New Comment (0)

Been a tough couple of weeks. At work, at home, wherever. Mostly at work. Home is ok. Tough, tough, tough, though, seriously! Needed a smile, got one from Flamingods, a London-based band utilizing instruments collected from world travels to such exotic places as Tanzania and the Amazon, "transcending their cultural experiences into music" (as they say in their e-mail to us)—a sentiment that is quite audible upon a quick listen. For "Kinich Ahau," the band starts on some groovy hand drumming and a playful synth hook before the tune takes flight with a plowing, break-inspired beat and some viscious vocal howls and growls. It's enough to motivate the dudes in the obviously-ragin' 1991 party happening in this video to get down with some seriously fresh and often hilarious (or is that seriously hilarious and often fresh?) moves. Especially the one guy... watch and you'll know what I'm talking about.

There's another reason I smiled: Because I'm weirdly reminded of Legends of the Hidden Temple for some reason. Anyway, hope you smile too. Dig it:

Video created by James Burgess

This Videodrone brought to you by Crawf

p.s. Watch for "Kimich Ahau" to appear on the forthcoming debut album from Flamingods this summer.

Thursday, April 12th, 2012 | Add New Comment (0)
The Peregrine

Apparently this came out September of 2011. I apologize for sleeping on this for so long but news travels slowly in Africa. Sheeeeem. If I knew Lawrence English’s most recent long-player The Peregrine A) existed B) would be the most emotionally resonant and gorgeous slab of soft-edged drone that I have heard… ever... I would have spared no expense to find an internet connection strong enough to get this. This is the real deal. A sonic exploration of landscape, skirting the line somewhere between muted harsh noise and blaring swells of a full orchestra buried deep below the ice-water of lapping drones. Experimedia has got it bossin' over with releases from Machinefabriek, Smegma and Jasper, TX’s new project From the Mouth of the Sun, proving itself to be a new coven for sound artists working in a variety of disciplines. I have been listening to this non-stop at a conference on grief and loss in the capitol city of Mbabane. The conference has afforded me ample time to digest this album while trying to work through the very real sadness that comes with working in a country with a life expectancy rate in the 30s. The images in “Frost’s Bitter Grip” elucidate the unrelenting focus on how the flight of a bird writes itself indelibly on its landscape. It is difficult not to look up into the sky here and not see some kind of bird, exotic or mundane, living out its life without any consideration to the lives below. Worlds within worlds, my shit may not be small, but it is not that big either.

This Videodrone brought to you by Ryan H.

Monday, March 26th, 2012 | Add New Comment (0)

I love tapes. Edit for post-relevancy: I love tapes by Villages. At least his last two, an amazing drop with Hooker Vision, and an equallly astounding spool of magnetic cool from Diatom Bath. But sweet mercy, would somebody please put this stuff on wax already? Ok, ok, maybe I'm getting ahead of myself here. He is on vinyl? Sweet. I'm calm now. Anyway, quite happy to hear the news that Ross Gentry (man behind this dark, dark, extremely dark, apocalyptic yet strangely comforting drone) is releasing a new tape through Bathetic Records, flagship label of his hometown of Asheville, North Carolina. This preview is a great example of his work, featuring harrowing guitar, medicine man drums, a gentle-but-menacing howl and Gentry's trademark attention to sonic detail. All great, yes, but how about this video? Created by someone who calls him/herself "The Moon Foetus," the visuals make for the perfect backdrop to match the cloud of mystery Villages hovers within. A shadowy frame populated by shape-shifting, humanoid images that aren't quite what they seem. Elements of space and time violently disturbed in these half-frozen figures, hurling them into a truly surreal environment where even though they don't necessarily belong, they are nonetheless right at home. Do I even have to say it? Full screen. Headphones.

This tape comes in a brand new trio of releases from all-Asheville artists, and since everything I've heard coming out of that tantalizing scene of late has been incredible, not to mention that the batch belongs to the not-even-close-to-pathetic Bathetic (anyone used that joke yet? ...I know, really bad), that likely means they will all be worthy a listen or fifty. 

This Videodrone brought to you by Crawf

Wednesday, March 14th, 2012 | Add New Comment (0)

Here's a new one from Denver's Hindershot, a Hot Congress flagship band, and one we posted on a short time ago. A ton of Denver's best and brightest cameo here, all in some way or another HC-related. Reps from SAUNA, Night of Joy, The Don'ts & Be Carefuls, The Morning Clouds and others all getting blasted by this, that and the other in a delightfully messy (and strangely appetizing/refreshing? ...at least colorful) splash. This time around the track showcases the entire band (instead of just leader Stuart Confer's totally self-produced bedroom mixes), nicely recorded and mixed by band member and HC honcho Lucas Johannes into a brooding, swaggering strut, as deep and dark as it is bright and snappy. Nice stuff.

Grip the new EP "Curse Us All" from Hot Congress, and word on the street is that Hindershot will be travelling to SXSW this year as well, so watch out for them in Austin later this month as well.

This Videodrone brought to you by Crawf

Friday, March 2nd, 2012 | Add New Comment (0)

Paul Skomsvold, if you didn't know/don't remember, is the name of a young Californian who has quietly emerged as one of today's strongest voices in the ambient/drone scene under the moniker Former Selves, releasing several short-run tapes over the last couple of years. His music stands alone quite nicely, but his video work really separates him from the pack—look no further than last year's thoroughly engrossing DVD, Fait Accompli for some proof. Actually let's do look further. After all, we have this amazing video in front of us right here, a promo for his new tape. More convenient that way. Another excellent example of his work, this video companion for the new tape's lead track, "Many Moons," finds Skomsvold using a new technique called "video feedback." I'm not sure what exactly that means, but the results sure are pretty. What I'm seeing is a lot of frames within frames, layers of prismatically mulitplied images, pastel colors blending softly and unique uses of perspective, breaking a wall of sorts by filming a screen and letting that panel loose to wander about the visual space. And what I'm hearing? The typically beautiful music of Former Selves; weightless, melodic, carefully structured and formed in design, free-flowing in feel... just plain lovely.

While I secretly pine for a vinyl offering from Former Selves, I can't help but recognize the sheer functionality of the tapes he's produced. Perfect bedtime cassette-ness. Soothing, textural, massaging, relaxing, and just really, really fucking pretty. Fucking beautiful. This preview has me thinking the full tape from Hooker Vision (as part of their brand new, just-announced batch, which looks and sounds as amazing as it probably is) will be one of his best releases yet. We're quite proud to have been asked to premiere this wonderful video, and hope you enjoy the sights and sounds of Former Selves as much as we do. So do it already:

This Videodrone brought to you by Crawf

Tuesday, February 28th, 2012 | Add New Comment (0)