Pulling from “themes of triumph and despair through the lens of modernism, science fiction and paranoiac hyperbole” the auteur-style journey through the mind of Miracle Swill takes us straight to the “Center of the Octagon”. A many-jointed, incredibly mysterious avant-pop project that swims in similar stylistic and conceptual waters to the ever-evolving sound of Why?’s Yoni Wolf. “Center of the Octagon” seems to presage the coming of some coming king - a promised and crowned royal terror that stalks this compositions dreams.